Outline Omhe 3 is a very light, very wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, sports branding, tech branding, futuristic, technical, sporty, clean, geometric, modern display, technical clarity, wide impact, outline aesthetic, rounded, monoline, open apertures, squared curves, inline counterforms.
A wide, geometric outline face built from a single, consistent contour with rounded-rectangle curves and crisp, squared terminals. The letterforms favor broad proportions and generous internal space, with smooth outer corners and simplified, engineered shapes that keep stroke behavior uniform across the set. Uppercase forms are sturdy and boxy, while lowercase stays similarly constructed with straightforward bowls and minimal modulation, producing an even, schematic rhythm in text. Numerals follow the same wide, rounded geometry, keeping a coherent, signage-like silhouette.
Best suited to large-scale display settings such as headlines, posters, event graphics, and brand marks where the outline construction can stay crisp. It also fits UI-style graphics, packaging, and sporty/technical identities that benefit from wide, rounded geometry and a clean, engineered rhythm.
The overall tone feels modern and technical, with a sporty, display-driven clarity that reads as futuristic without becoming decorative. Its hollow construction gives it a lightweight, airy presence that suggests interface graphics, outlined lettering, and schematic labeling.
The font appears designed to deliver a contemporary, geometric display look using outline-only construction, prioritizing bold silhouettes and consistent contour behavior over text-density. Its wide stance and rounded-square geometry suggest an intention toward modern branding and high-impact titling where an airy, technical feel is desirable.
The design relies on strong outer silhouettes and consistent curvature, which makes spacing and alignment feel orderly in headlines and short lines. Because the forms are outlined rather than filled, the face visually thins out at smaller sizes and performs best when given room and contrast against the background.