Stencil Abji 2 is a light, normal width, low contrast, upright, normal x-height font visually similar to 'BR Segma' by Brink, 'Afical' by Formatype Foundry, and 'Goga' by Narrow Type (names referenced only for comparison).
Keywords: posters, headlines, logos, signage, packaging, modern, technical, industrial, futuristic, minimal, stencil identity, industrial clarity, modern display, geometric, stenciled, monoline, crisp, high-clarity.
A clean, geometric sans with monoline strokes and consistent, engineered curves. The letterforms are interrupted by deliberate stencil breaks that create narrow bridges in bowls and across horizontals, producing strong negative-space rhythm without adding stroke contrast. Proportions feel balanced and contemporary, with rounded forms kept taut and circular, and terminals cut with straight, decisive angles. The overall texture is orderly and airy, with clear separation between characters and a distinctly constructed silhouette.
Best suited for display use where the stencil motif is a feature: posters, headlines, brand marks, product packaging, and environmental or wayfinding-style signage. It can also work for short UI labels or tech-themed graphics when you want a precise, fabricated feel without heavy weight.
The stencil interruptions lend a utilitarian, technical tone—suggesting equipment labeling, fabricated signage, and precision tooling. At the same time, the smooth geometry and minimal detailing give it a modern, slightly futuristic feel suitable for sleek branding or display contexts.
Likely designed to merge a contemporary geometric sans foundation with a clear stencil identity, balancing industrial cues with clean readability. The consistent breaks and controlled proportions suggest an intention to feel manufactured and modern rather than distressed or militaristic.
The stencil logic is applied consistently across capitals, lowercase, and numerals, so counters remain readable while still showing the characteristic breaks. Numerals and rounded letters emphasize circular geometry, and diagonals (like in V/W/X) appear sharp and clean, reinforcing the engineered aesthetic.