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Serif Normal Obbak 6 is a regular weight, normal width, high contrast, upright, short x-height font visually similar to 'Classique' by Paulo Goode (names referenced only for comparison).

Keywords: book text, editorial, magazines, academic, invitations, classic, formal, literary, refined, traditional, readability, tradition, elegance, authority, editorial tone, bracketed, crisp, calligraphic, oldstyle, bookish.


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A traditional serif with pronounced thick–thin modulation and bracketed serifs that taper to sharp terminals. The capitals are stately and slightly condensed in feel, with crisp joinery and a calm vertical rhythm. Lowercase forms show a relatively small x-height with generous ascenders/descenders; bowls and counters are moderately open, and strokes end in pointed, slightly calligraphic terminals (notably in letters like a, f, r, and y). Numerals follow the same high-contrast logic, with elegant curves and small finishing serifs that keep the figures consistent with the text tone.

Well-suited to long-form reading contexts such as books, essays, and editorial layouts where a classic serif texture is desired. It also works effectively for formal communication—programs, announcements, and invitations—especially at text to display sizes where the contrast and detailing can read clearly.

The overall tone is classic and authoritative, with a distinctly literary, editorial character. Its sharp serifs and high-contrast strokes suggest refinement and tradition, leaning toward a serious, cultivated voice rather than casual or utilitarian.

The design appears intended to provide a dependable, traditional reading experience with a refined, high-contrast serif voice. Its proportions and detailing emphasize elegance and authority, aiming for a familiar, book-centric style rather than a modernist or geometric expression.

In the text sample, the face maintains strong typographic color at larger sizes, with clear differentiation between similar forms and a slightly lively rhythm from the tapered serifs and curved terminals. The punctuation and ampersand harmonize with the main forms, reinforcing a cohesive, conventional text aesthetic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸