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Sans Rounded Elza 10 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Monotage' by Fargun Studio, 'Perfume' by Fenotype, 'MVB Diazo' by MVB, and 'Troyline' by Sarid Ezra (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, kids media, playful, friendly, retro, quirky, informal, approachability, display impact, retro charm, playfulness, brand voice, chunky, soft, bouncy, rounded, compact.


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A heavy, compact sans with generously rounded corners and soft, blunted terminals throughout. Strokes stay broadly even, with minimal modulation and a sturdy, blocky build that keeps counters relatively tight. Curves are wide and cushioned, joins are smooth, and verticals dominate the rhythm; diagonals (as in K, V, W, X) read thick and stable rather than sharp. The lowercase shows simple, single-storey forms (notably a and g), a short crossbar on t, and a round i/j dot, reinforcing an approachable, cartoon-leaning texture. Numerals are similarly weighty and rounded, designed to match the letters’ soft geometry.

Best suited to short, high-impact settings such as headlines, posters, product packaging, badges, and brand marks where a warm, playful tone is desired. It also fits children’s media, event promo graphics, and casual editorial callouts where thick, rounded letterforms help grab attention.

The overall tone is upbeat and approachable, with a lighthearted, slightly nostalgic feel. Its rounded massing and compact proportions give it a friendly “headline” voice that reads as casual and fun rather than formal or technical.

Likely designed to deliver maximum visual presence with a soft, friendly silhouette—prioritizing bold readability and personality over delicacy. The consistent rounded terminals and chunky construction suggest an intention to feel approachable and fun while remaining sturdy and legible at display sizes.

At text sizes the dense color and tight apertures can make long passages feel heavy, while at larger sizes the soft corners and chunky curves become a distinctive stylistic feature. The shapes stay consistent across caps, lowercase, and figures, producing a cohesive, poster-ready presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸