Sans Superellipse Tedar 6 is a very bold, very wide, low contrast, upright, normal x-height font.
Keywords: logotypes, posters, headlines, ui labels, gaming, futuristic, techy, playful, arcade, industrial, display impact, digital aesthetic, branding, retro-tech, rounded corners, squarish, geometric, softened, chunky.
A heavy, rounded-rectangle sans built from squarish counters and softened corners. Strokes maintain an even thickness with minimal modulation, producing a blocky, high-impact texture. Curves resolve into superelliptic turns rather than true circles, and many joins are blunt and padded, giving forms a molded, almost monoline “capsule” feel. Spacing reads slightly open for such dense shapes, and the overall rhythm is steady and mechanical rather than calligraphic.
Best suited for display roles where bold, geometric clarity is desired: logos, product branding, packaging, event posters, and short headlines. It also fits interface titling and on-screen labels in tech or gaming contexts, where squared, rounded forms echo device hardware and digital UI components. For longer passages, it works most comfortably at larger sizes where its dense strokes and squared counters have room to breathe.
The tone is modern and gadget-like, suggesting interfaces, sci‑fi labeling, and arcade-era display typography. Its rounded corners keep the voice friendly and approachable, while the squared geometry adds a utilitarian, engineered edge. The result feels confident and punchy, with a subtle retro-tech playfulness.
The design appears intended to translate rounded-rectangle geometry into a cohesive alphabet that feels both digital and friendly. By prioritizing uniform stroke weight and superelliptic bowls, it delivers a sturdy, contemporary voice that reads as engineered rather than handwritten, optimized for attention-grabbing display use.
Letterforms favor squared bowls and counters (notably in characters like O, D, and 0), reinforcing a consistent rounded-rectangle system across caps, lowercase, and numerals. Diagonals (such as in V, W, X, and Z) keep the same thick, softened treatment, preventing sharp spikes and maintaining a cohesive “padded” silhouette. The sample text shows strong line-to-line presence, with clear differentiation between many similar shapes despite the uniform stroke weight.