Sans Superellipse Tegew 6 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Aspira' by Durotype, 'FF Mark' and 'FF Mark Paneuropean' by FontFont, 'FS Me' by Fontsmith, 'Whitney' by Hoefler & Co., 'Korb' by JCFonts, and 'Akwe Pro' by ROHH (names referenced only for comparison).
Keywords: posters, headlines, packaging, branding, signage, friendly, handmade, playful, retro, casual, approachability, display impact, handcrafted feel, nostalgia, rounded, chunky, soft corners, wonky, textured.
A heavy, rounded sans with compact proportions and softly squared curves. Strokes stay broadly even, with subtle irregularities at terminals and joins that create a slightly rough, hand-pressed edge rather than a perfectly machined outline. Counters are open and generously sized for the weight, while curves tend to resolve into superellipse-like shapes that keep forms sturdy and stable. Overall spacing reads tight and efficient, supporting strong blocks of text with a lively, slightly uneven rhythm.
Best suited to display roles where a bold, friendly tone is desired: posters, short headlines, packaging, storefront or event signage, and brand marks that want an approachable, crafted feel. It can also work for brief text bursts in UI or social graphics when strong emphasis and personality are more important than neutrality.
The face feels approachable and informal, with a handmade warmth that reads as playful and a bit nostalgic. Its chunky silhouettes and gently imperfect edges suggest craft, screen print, or stamp-like production, giving text a personable voice rather than a corporate one.
The design appears intended to combine sturdy legibility with a handcrafted, slightly imperfect texture, using rounded-superellipse construction to keep forms compact and impactful. It aims for a playful, approachable voice that stands out in attention-grabbing display settings.
Round letters (like O, C, G, and e) lean toward rounded-rectangle geometry, while straight-sided shapes (E, F, L, T) keep softened corners and blunt terminals. Numerals follow the same chunky, friendly construction, staying highly visible and consistent with the alphabet.