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Cursive Lilug 16 is a very light, narrow, high contrast, italic, very short x-height font.

Keywords: invitations, wedding, branding, logotypes, packaging, elegant, romantic, airy, refined, delicate, formal script, flourished caps, signature feel, occasion use, calligraphic, swashy, looped, ornate, slanted.


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A delicate cursive script with a pronounced rightward slant and hairline strokes that expand into occasional thicker, calligraphy-like accents. Uppercase forms are tall and expressive, featuring long entry strokes, extended ascenders, and generous loops; many capitals carry swash-like terminals that create a lively, ornamental silhouette. Lowercase characters are compact with a very small x-height, fine joins, and narrow counters, producing a light, shimmering texture in text. Numerals follow the same handwritten rhythm, with single-stroke construction and graceful curves that keep the overall color airy and open.

This font is well suited to wedding suites, invitations, thank-you cards, and other formal stationery where expressive capitals and fine strokes are an advantage. It can also work for boutique branding, logotypes, beauty/fashion packaging, and short headlines where its swashes and airy texture have room to breathe. For best results, use it at larger sizes or in contexts where its hairline details can remain crisp.

The overall tone feels formal and romantic, with a handwritten sophistication suited to intimate, celebratory messaging. Its thin strokes and looping capitals convey a gentle, graceful mood—more like ink-on-paper penmanship than a sturdy display script.

The design appears intended to emulate refined, flourished pen script with a contemporary smoothness: compact lowercase for continuous flow, paired with highly decorative capitals to add a signature-like presence. Its emphasis on elegance over robustness suggests a focus on display and special-occasion typography rather than long-form readability.

The design relies heavily on contrast between whisper-thin hairlines and selectively emphasized downstrokes, so spacing and word rhythm come through as much from sweeping connectors as from the letter bodies. Capital flourishes can extend well beyond the x-height and baseline, adding drama but also making the texture more decorative than utilitarian for dense setting.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸