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Free for Commercial Use

Sans Faceted Sysa 4 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Bricbrac' by Nootype, 'Machinista' by T-26, 'Octin College' by Typodermic, and 'Acorna' and 'Caviara' by Umka Type (names referenced only for comparison).

Keywords: headlines, posters, logos, sports branding, packaging, industrial, arcade, stencil-like, athletic, retro, impact, ruggedness, geometric branding, signage feel, retro tech, octagonal, chamfered, blocky, modular, high-contrast.


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A heavy, block-built display sans with chamfered corners and faceted, near-octagonal geometry that replaces curves with short straight cuts. Strokes are uniform and sturdy, with compact counters and squared apertures that create a tight, mechanical rhythm. Uppercase forms are tall and emphatic, while the lowercase echoes the same rigid construction with simplified bowls and angular terminals. Numerals follow the same faceted logic, reading like cut-metal shapes with clipped corners and firm vertical emphasis.

Best suited to display settings such as headlines, posters, branding marks, and bold packaging where its angular construction can carry the visual identity. It also fits sports and event graphics, arcade or tech-themed design, and punchy UI labels where a hard-edged, engineered voice is needed. For longer text, it will be most comfortable in short bursts—titles, callouts, and signage-style copy.

The overall tone is tough and utilitarian, leaning into a retro, game-like immediacy. Its sharp facets and dense color give it an assertive, no-nonsense character that feels engineered rather than handwritten. The look suggests signage, equipment labeling, and bold branding where impact and grit are desirable.

The design appears intended to deliver maximum impact through simplified, faceted forms that maintain clarity while projecting a rugged, industrial presence. By substituting curves with chamfers and planar cuts, it creates a distinctive silhouette system that feels consistent across letters and numbers and remains visually commanding at display sizes.

The faceting is consistent across the set, producing recognizable silhouettes and a strong modular feel. Because internal spaces are relatively small, the design reads best when given breathing room (larger sizes or more generous tracking) to keep counters from closing in visually.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸