Serif Flared Mybef 2 is a bold, wide, very high contrast, upright, normal x-height font visually similar to 'Agna' by DSType and 'Blacker Pro' by Zetafonts (names referenced only for comparison).
Keywords: headlines, editorial, magazine, branding, packaging, luxury, dramatic, classic, fashion, display impact, premium tone, editorial presence, classic revival, flared, chiseled, calligraphic, sharp, bracketed.
A high-contrast serif with sturdy verticals and hairline-thin connecting strokes, shaped by distinctly flared, wedge-like terminals. Serifs feel chiseled and slightly bracketed, producing crisp corners and sharp joins, while curves are smooth and taut with pronounced thick–thin modulation. The lowercase shows compact, weighty bowls and a steady x-height, with angular entry/exit strokes and tapered finishes that read as carved rather than blunt. Overall spacing and rhythm are firm and authoritative, emphasizing strong stems and clear silhouettes.
Best suited to headlines, pull quotes, mastheads, and other large-size editorial settings where the contrast and flared terminals can show clearly. It can also support premium branding and packaging, especially where a classic yet distinctive serif voice is desired. For dense body text, it will read most confidently with generous size and leading to preserve the fine hairlines.
The tone is elegant and assertive, combining classic refinement with a dramatic, high-fashion edge. Its sharp terminals and theatrical contrast create a sense of ceremony and prestige, while the flared endings add a distinctive, slightly ornamental bite.
The design appears intended to deliver a modern, display-oriented serif that nods to traditional high-contrast forms while differentiating itself through flared, wedge-like terminals. It aims for strong impact and refined drama, prioritizing sculptural letterforms and a confident typographic presence.
Figures and capitals maintain the same sculpted contrast and tapered detailing, giving numerals a display-forward presence. The design’s thin strokes and pointed terminals become more visually prominent at larger sizes, where the flare and contrast read as intentional styling rather than texture.