Sans Faceted Kolo 2 is a bold, wide, monoline, upright, normal x-height font.
Keywords: display, headlines, branding, posters, ui labels, futuristic, techno, industrial, arcade, assertive, tech aesthetic, display impact, systemic consistency, geometric clarity, angular, octagonal, chamfered, geometric, modular.
A geometric, angular sans built from straight strokes and squared counters, with frequent chamfered corners that replace curves with small facets. Forms are predominantly rectangular and octagonal in feel, producing a sturdy, engineered texture and a consistent, monoline-like stroke presence. The fit is on the roomy side with open apertures and broad proportions, giving the text a wide stance and clear internal space. Terminals are mostly flat, with sharp joins and occasional notch-like cut-ins that reinforce the constructed, modular look.
Best suited to display sizes where its angular details and wide rhythm can read as intentional design—headlines, posters, product branding, and tech-themed packaging. It also works well for short UI labels, signage, and titles where a strong, engineered presence is desirable, while long paragraphs may feel dense due to its heavy, high-impact texture.
The overall tone reads futuristic and utilitarian, with a strong digital/industrial flavor. Its faceted geometry evokes sci‑fi interfaces, arcade hardware, and technical labeling, projecting confidence and a slightly retro-tech character rather than softness or warmth.
The design appears intended to deliver a crisp, faceted alternative to rounded geometric sans fonts—prioritizing a hard-edged, constructed aesthetic with clear, squared counters for readability. Its consistent chamfers and modular strokes suggest a goal of creating a cohesive techno voice across letters and numbers for modern interface and display contexts.
Distinctive faceting shows up consistently at corners and diagonals, helping maintain legibility while keeping the design resolutely non-rounded. Numerals and uppercase share the same squared construction, creating a cohesive, system-like voice across alphanumerics, while the lowercase keeps the same geometric discipline and compact joins.