Sans Faceted Guky 4 is a very light, normal width, monoline, italic, normal x-height font.
Keywords: sci‑fi titles, ui labeling, tech branding, posters, motion graphics, tech, futuristic, precision, instrumental, minimal, futurism, technical clarity, geometric system, display impact, angular, faceted, geometric, octagonal, wireframe.
A slender, single-stroke sans built from crisp straight segments and clipped corners, substituting curves with planar facets. Strokes remain consistently thin with squared terminals, producing an airy, wireframe texture. The italic slant is steady across uppercase, lowercase, and figures, while proportions stay relatively open with generous counters; round forms like O/0/C/G read as octagonal outlines. Numerals and capitals feel engineered and schematic, and the overall rhythm is clean and evenly spaced with a light, technical presence.
Best suited to science-fiction titling, technology-oriented branding, and display situations where its angular construction can be appreciated. It also fits UI labeling, dashboards, and diagrammatic or product-marking contexts where a precise, schematic feel is desirable, especially at medium-to-large sizes.
The tone is futuristic and instrument-like, suggesting interfaces, labeling, and engineered systems. Its faceted geometry and lean diagonal stance give it a brisk, high-tech energy that feels precise rather than expressive, leaning toward sci‑fi and digital design cues.
The design appears intended to translate geometric, faceted forms into a clean sans alphabet that stays light and legible while projecting a technical, forward-looking voice. By replacing curves with clipped planes and keeping a consistent diagonal slant, it aims for a cohesive “engineered” aesthetic across text and numerals.
Distinctive faceting is consistent across the character set, including the bowls of b/d/p/q and the rounded letters e/s/g, which keeps the style coherent in longer text. The very thin strokes and open shapes emphasize clarity at larger sizes, while the angular construction becomes the primary visual signature in headlines and short lines.