Sans Superellipse Omluk 1 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: ui text, app design, branding, signage, headlines, friendly, modern, techy, clean, playful, clarity, modernization, ui friendliness, geometric consistency, rounded corners, squared rounds, soft terminals, geometric, high legibility.
A geometric sans with rounded-rectangle construction and consistently softened corners. Strokes are even and steady, with open counters and generous apertures that keep letterforms clear at a range of sizes. Uppercase shapes lean toward squared-round bowls (notably in C, D, O, Q), while verticals feel sturdy and straight. Lowercase follows the same geometry with simple, compact forms and a single-storey a and g; the overall rhythm is regular and orderly, with a slightly mechanical, modular feel. Numerals match the alphabet’s rounded-rectilinear logic, maintaining a uniform, signage-like clarity.
Well suited to interface typography, dashboards, and product surfaces where clean geometry and quick recognition matter. It also works for contemporary branding systems, wayfinding, and short-to-medium headlines that benefit from a friendly, tech-forward voice. In text blocks, the even stroke and open shapes support clear, steady reading.
The tone is approachable and contemporary, mixing a utilitarian, engineered structure with softened edges that read friendly rather than severe. Its rounded-square flavor suggests UI and product design aesthetics, while the straightforward construction keeps it neutral enough for everyday communication. The result feels modern, lightly playful, and dependable.
The design appears intended as a modern geometric workhorse that translates rounded-rectangle logic into a complete, highly consistent alphabet. By balancing strict structure with softened corners, it aims to feel both functional and inviting for digital and branded environments.
Round joins and terminals are handled consistently across the set, creating a cohesive texture in paragraph settings. The forms favor clarity over calligraphic nuance, and the rounded corners help reduce visual harshness without turning the design into a fully circular grotesk.