Sans Superellipse Pygag 2 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'CF Blast Gothic' by Fonts.GR, 'Otoiwo Grotesk' by Pepper Type, 'Amsi Grotesk' by Stawix, and 'Tablet Gothic' by TypeTogether (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, labels, condensed, assertive, modern, utilitarian, industrial, space saving, high impact, clarity, modern utility, tall, compact, monoline, rounded corners, straight-sided.
A tall, compact sans with straight-sided construction and subtly rounded corners that give curves a superellipse feel rather than a pure geometric circle. Strokes are heavy and largely uniform, with tight apertures and crisp terminals that keep counters controlled and vertical rhythm consistent. Uppercase forms are narrow and disciplined, while lowercase maintains a straightforward, workmanlike structure with simple bowls and minimal modulation. Numerals follow the same condensed, sturdy logic, reading clearly and evenly in the sample text.
This face works best where a strong, space-saving line length matters—headlines, posters, packaging panels, labels, and wayfinding-style signage. The tight, dark texture also suits short blocks of copy such as callouts, menus, and UI titles where you want compact emphasis without decorative detail.
The overall tone is forceful and businesslike, projecting efficiency and no-nonsense clarity. Its condensed stance and firm strokes evoke an industrial, contemporary voice suited to punchy messaging and space-conscious layouts.
The design appears intended to deliver maximum impact and legibility in constrained horizontal space, using a condensed skeleton, uniform stroke weight, and rounded-rectangle curves to balance severity with a controlled softness.
Spacing appears tuned for dense setting: letters sit close with compact inner counters, and the texture stays dark and consistent across mixed-case text. Rounded-rectangle curvature shows up most in bowls (O/C/G/e) and shoulder transitions, softening the otherwise rigid vertical emphasis.