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Serif Flared Tyvy 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Ephemera Nickson Pro One' by Ephemera Fonts, 'Muller Next' by Fontfabric, 'Gotham' by Hoefler & Co., 'Gill Display Compressed' by ITC, 'Patimura Condensed' by Jolicia Type, 'Noison' by Lone Army, 'Prelo Compressed' by Monotype, 'Akwe Pro' by ROHH, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, logos, western, circus, vintage, playful, rustic, nostalgia, impact, handmade, theater, flared, ink-trap, notched, compact, chunky.


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A heavy display serif with compact proportions and strongly flared terminals that broaden into wedge-like, bracketed endings. The strokes are largely monoline in feel, but the outlines are deliberately irregular, with subtle nicks, notches, and inward cuts that create a carved, ink-trap-like texture. Counters are tight and rounded, joins are blunt, and the overall rhythm is bouncy and uneven in a controlled way, giving the letters a stamped or cut-out look. Numerals and lowercase follow the same chunky, tapered construction, maintaining a consistent silhouette and dense color.

Best used for short, high-impact text such as posters, event titles, storefront or wayfinding signage, and brand marks that want a vintage or Western flavor. It can also work well on packaging and labels where a rugged, handcrafted feel supports the product story, especially when paired with simpler supporting text.

The font projects a bold, old-time tone with clear Western and show-poster associations. Its roughened detailing and flared serifs add a handmade, saloon-sign energy that feels theatrical and a bit mischievous rather than formal. Overall, it reads as nostalgic and attention-seeking, suited to headline moments where character matters as much as legibility.

The design appears intended to deliver a strong display presence with an antique, hand-cut aesthetic. By combining flared serif construction with purposeful nicks and ink-trap-like cut-ins, it aims to evoke letterpress or wood-type-inspired signage while staying bold and readable at headline scale.

The distinctive surface cuts and terminal flares become most apparent at larger sizes, where the interior notches and irregular edges read as intentional texture rather than noise. At smaller sizes, the tight counters and dense shapes may reduce clarity, especially in letters with enclosed bowls.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸