Sans Normal Abbup 8 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Croih' by 38-lineart and 'Clinto' by XdCreative (names referenced only for comparison).
Keywords: ui, signage, infographics, captions, branding, modern, technical, clean, efficient, neutral, legibility, modernization, ui readiness, neutral tone, efficient texture, oblique, humanist, rounded, open counters, single-storey a.
This is a slanted sans with smooth, rounded construction and low stroke modulation. Curves are broadly elliptical and open, with generous apertures in letters like C, S, and e, and clean, unbracketed joins throughout. The lowercase shows a single-storey a and g, with a compact, functional rhythm and slightly squared terminals that keep the texture crisp. Numerals are straightforward and evenly built, with a simple, legible 1 and an 8 formed from balanced stacked bowls.
It suits UI labels, navigation, dashboards, and other interface contexts where an oblique sans can provide emphasis while staying highly legible. The open forms and clean rhythm also work well for captions, technical documentation, infographics, and wayfinding-style signage. In branding, it can convey a contemporary, efficient character, especially for technology or product-oriented identities.
The overall tone is modern and pragmatic, with an understated, contemporary voice. Its oblique stance adds motion and urgency without becoming expressive or calligraphic, keeping the feel neutral and workmanlike. The shapes read as clean and technical, suitable for interfaces and information-driven typography.
The design appears intended as a clear, contemporary oblique sans that prioritizes legibility and consistent texture in mixed-case text. Its rounded geometry and open counters suggest an aim toward readability on screens and in compact settings while maintaining a restrained, modern personality.
The slant is consistent across uppercase, lowercase, and figures, helping mixed-case settings feel unified. Uppercase forms remain relatively wide and stable despite the oblique angle, while the lowercase maintains clear differentiation between similar shapes (notably i/l and c/e) through open counters and simple detailing.