Sans Other Turap 3 is a light, normal width, monoline, upright, normal x-height font.
Keywords: branding, headlines, posters, ui, packaging, modern, minimal, clean, techy, cool, distinctive branding, modernization, geometric clarity, stylized segmentation, geometric, open apertures, rounded terminals, high contrast gaps, straight-sided curves.
This typeface uses clean, monoline strokes with a predominantly geometric construction. Curves are built from broad, near-circular forms (notably in C, O, Q, and e), paired with straight stems and simple diagonal joins. Several glyphs show deliberate breakpoints or separated strokes—such as the B and D with detached vertical elements, and the G with an internal spur—creating an airy, segmented look while keeping overall letterforms legible. Terminals are generally rounded, counters are generous, and spacing feels even, giving the design a smooth rhythm across both uppercase and lowercase.
It performs best in branding, titles, and short blocks of text where the distinctive segmented construction can be appreciated. The clear geometry and open counters also make it a good fit for UI labels, product/packaging typography, and contemporary editorial display settings.
The overall tone is modern and minimal, with a slightly experimental, tech-forward flavor introduced by the intentional gaps and separated components. It reads as calm and refined rather than loud, projecting a contemporary, designed feel suited to sleek interfaces and brand systems.
The design appears intended to offer a familiar sans foundation with subtle, engineered disruptions—using gaps and separated strokes to create a recognizable signature without turning into a novelty. It balances geometric clarity with a distinctive, modular detail system aimed at modern visual identities.
Numerals follow the same restrained, geometric logic, with open, uncluttered shapes and consistent stroke behavior. The sample text shows stable word color at display sizes, while the segmented details become a defining texture that is most noticeable in capitals and in rounded letters.