Sans Faceted Myhi 8 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Aguda' and 'Aguda Stencil' by Graviton, 'Phatthana' by Jipatype, 'Absalon' by Michael Nordstrom Kjaer, and 'Olney' by Philatype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, gaming, packaging, techno, industrial, athletic, futuristic, authoritative, impact, branding, modernity, rigid geometry, display clarity, squared, angular, blocky, faceted, compact counters.
A heavy, angular sans with squared proportions and faceted, planar cuts that substitute for smooth curves. Strokes are consistently thick with minimal modulation, and terminals often end in straight cuts or clipped corners, giving letters a sculpted, mechanical feel. Counters tend to be compact and squarish, and the overall rhythm is tight and sturdy, with distinctive notches and chamfer-like angles appearing in bowls and joints. Numerals follow the same blocky construction, reading clearly with firm horizontal/vertical emphasis and sharp corner handling.
Best suited to display applications where its angular facets and dense weight can carry strong visual presence: headlines, posters, esports/gaming graphics, sports identity, and bold packaging or product titling. It can also work for short UI labels or signage-style text when sizes are generous and spacing is tuned for clarity.
The font communicates a tough, engineered personality—modern, utilitarian, and slightly aggressive. Its faceted geometry evokes equipment markings, sports identity systems, and sci‑fi interface lettering, projecting confidence and impact rather than softness or friendliness.
The design appears intended to deliver maximum impact through geometric, cut-corner construction—creating a recognizable, industrial-tech voice while maintaining straightforward sans letterforms. Its consistent facet language suggests a focus on branding and titling where a sharp, contemporary tone is desired.
The design relies on repeated angular motifs across caps, lowercase, and figures, creating strong stylistic consistency in headlines. The lowercase retains the same squared construction as the capitals, so mixed-case settings read as cohesive and logo-like, especially at larger sizes where the facets become a defining texture.