Outline Ofby 10 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, logos, posters, signage, packaging, technical, industrial, sporty, retro, architectural, constructed look, blueprint effect, fabricated feel, display impact, octagonal, chamfered, monoline, geometric, wireframe.
A monoline outline face built from straight runs and sharp chamfered corners, giving most curves an octagonal, engineered feel. Counters are left open as interior voids defined by a parallel inner contour, producing a consistent “double-line” rhythm throughout. Proportions are broadly squared with sturdy caps and compact bowls; diagonals on letters like A, K, V, W, and X are crisp and angular rather than smooth. Spacing feels even and utilitarian, with simplified joins and occasional stepped terminals that reinforce the constructed, schematic look.
Works best at larger sizes where the twin contours and internal voids can remain clear—headlines, branding marks, labels, and poster typography. The angular, outlined construction also suits wayfinding-style signage, product graphics, and sport/tech themed layouts where a plotted or fabricated aesthetic is desired.
The overall tone reads technical and industrial, like lettering cut from sheet material or plotted as a blueprint. Its chamfered geometry adds a sporty, varsity-adjacent flavor while still feeling retro-futuristic and mechanical. The hollow construction keeps it airy and lightweight, lending a crisp, display-oriented presence rather than a dense, texty voice.
Likely designed to mimic engineered lettering—shapes that feel cut, routed, or plotted—by replacing curves with chamfers and rendering every glyph as a clean, parallel outline. The consistent geometry and hollow build prioritize a striking, structural silhouette over continuous reading comfort, pointing to display use in identity and graphic applications.
Round forms (C, G, O, Q, 0, 8, 9) are consistently faceted, and the numerals echo the same chamfered logic for strong set cohesion. Lowercase follows the same constructed approach with simple, squared bowls and straight-sided stems, maintaining a uniform outline thickness across the set.