Sans Superellipse Pimus 2 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Dharma Gothic Rounded' by Dharma Type, 'EFCO Fairley' by Ephemera Fonts, 'Tungsten' by Hoefler & Co., 'Hornsea FC' by Studio Fat Cat, 'Beachwood' by Swell Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, condensed, authoritative, urban, sports, space saving, high impact, modern utility, brand voice, blocky, compact, sturdy, square-rounded, monoline.
A compact, tightly condensed sans with heavy, uniform strokes and squared, rounded-corner (superelliptic) counters. The drawing is largely monoline, with crisp terminals and minimal modulation, giving letters a dense, vertical rhythm. Round characters like O/C/G are built from rounded-rectangle geometry, while joins and apertures stay relatively closed, reinforcing a solid, poster-ready texture. Numerals and lowercase follow the same tall, narrow proportions, maintaining consistent color and strong columnar alignment in text.
Best suited to headlines, posters, and display typography that needs maximum impact in limited horizontal space. It can also work well for sports and event branding, packaging callouts, and signage where a compact, high-density word shape improves visibility and presence.
The overall tone is bold and utilitarian, with a blunt, no-nonsense presence. Its compressed stance and sturdy shapes evoke industrial labeling, sports branding, and punchy headline typography where impact matters more than delicacy.
The design appears intended to deliver a strong, space-efficient voice: tall, compressed proportions paired with rounded-rectangle forms to create a modern, robust display sans that holds up in large sizes and high-contrast applications.
The condensed width creates a strong stacked effect in multi-line settings, while the squared-rounded construction keeps the look modern rather than purely grotesque. Because internal spaces are tight, the font reads best when given sufficient size and breathing room in layout.