Sans Superellipse Vono 2 is a bold, very wide, low contrast, upright, normal x-height font.
Keywords: headlines, logos, posters, gaming ui, tech branding, futuristic, techno, space-age, sleek, mechanical, sci-fi styling, tech signaling, display impact, modular system, rounded, extended, monoline, geometric, square-rounded.
A geometric sans built from rounded-rectangle (superellipse) forms with a monoline stroke and generous horizontal expansion. Corners are softly radiused while terminals tend to be flat and squared-off, producing a clean, engineered feel. Counters are wide and often rectangular, with several letters using open apertures and stencil-like breaks (notably in forms such as E, S, and some numerals), which adds rhythm and prevents dark clumping at large sizes. Curves are restrained and controlled; diagonals appear mainly in K, V, W, X, and Z, reinforcing the typeface’s angular, constructed geometry.
Best suited for headlines, logotypes, packaging, and short bursts of text where a futuristic, engineered personality is desirable. It can work well in on-screen contexts like game titles, UI accents, or product splash screens, especially at medium-to-large sizes where the stencil-like details read crisply.
The overall tone reads as sci‑fi and interface-oriented—smooth, streamlined, and deliberately synthetic. Its extended stance and rounded-square construction evoke industrial design, spacecraft markings, and contemporary tech branding rather than editorial or classical contexts.
The design appears intended to deliver a modern, technology-forward voice by combining rounded-square geometry with extended proportions and selectively segmented strokes. The consistent modular construction suggests an aim for a cohesive, system-like aesthetic that feels at home in sci‑fi and digital environments.
The uppercase and lowercase share a consistent modular logic, with single-storey a and g and simplified, schematic shapes throughout. Numerals follow the same rounded-rectilinear language, with segmented detailing that feels display-driven. The wide proportions and open interior spaces help maintain clarity, but the distinctive cut-ins and unconventional letterforms make it less suited to subtle, text-heavy settings.