Sans Superellipse Pykod 3 is a regular weight, narrow, monoline, upright, normal x-height font.
Keywords: ui labels, dashboards, data display, wayfinding, packaging, modern, clean, technical, neutral, efficient, space saving, systematic, clarity, modern utility, condensed, rounded corners, squared rounds, crisp terminals, high legibility.
This typeface is a condensed sans with monoline strokes and a clear, built-from-geometry feel. Round letters are drawn as rounded rectangles rather than true circles, giving counters a squarish, superelliptical shape and producing a steady, modular rhythm across words. Uppercase forms are simple and architectural with flat-sided curves (notably in C, D, O, Q) and compact widths; lowercase follows a similarly restrained construction with a single-storey a and g and tidy, open apertures. Terminals are predominantly straight and clean, with minimal contrast and little to no calligraphic influence, keeping the overall texture even in running text.
Well-suited to interfaces and information-forward design where compact width helps fit labels, navigation, and dense layouts. It can also work for signage and wayfinding, as well as contemporary branding or packaging that benefits from a clean, geometric voice without feeling overly rigid.
The tone reads contemporary and functional—cool, controlled, and mildly technical. Its rounded-rectangle curves soften the strict geometry just enough to feel approachable while still conveying precision and efficiency.
The design intent appears to be a space-efficient, highly systematic sans that maintains legibility through simplified shapes and consistent stroke behavior. The superelliptical construction suggests a deliberate move toward a modern, device-friendly aesthetic with a distinctive squared-round signature.
Numerals are consistent with the same squared-round geometry; the 0 is clearly slashed for differentiation. Diacritics and punctuation are not shown, but the sample text demonstrates a stable line color and good clarity at larger text sizes due to the condensed proportions and open interior spaces.