Sans Superellipse Okloz 3 is a bold, narrow, monoline, upright, tall x-height font visually similar to 'Pierce Jameson' by Grezline Studio, 'Nulato' by Stefan Stoychev, and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: ui labels, app branding, signage, posters, packaging, modern, techy, friendly, utilitarian, compact, space saving, modernization, clarity, systematic geometry, rounded, condensed, square-rounded, geometric, sturdy.
A condensed geometric sans built from rounded-rectangle (superellipse) forms and uniform stroke weight. Corners and terminals are consistently softened, producing squarish counters in letters like O, D, and P and a generally compact rhythm. The capitals are tall and tidy with generous internal rounding, while the lowercase shows a large x-height and simple, single-storey constructions (notably a and g). Numerals follow the same square-rounded logic with even proportions and closed, rectangular counters.
This font suits interface labels, navigation, dashboards, and compact settings where space is limited but strong presence is desired. Its square-rounded geometry also works well for modern branding, packaging, and poster headlines, and it can carry short-to-medium text where a structured, contemporary texture is preferred.
The overall tone is modern and approachable, with a tech-forward, signage-like clarity. Rounded corners keep it friendly and contemporary, while the condensed proportions and steady strokes add a no-nonsense, utilitarian feel.
The design appears intended to deliver a compact, highly consistent geometric voice by basing curves on rounded rectangles and keeping strokes uniform. It prioritizes crisp, contemporary readability and a distinctive squared-round silhouette that feels at home in digital products and modern wayfinding.
Round joins and consistent corner radii create a cohesive texture in paragraphs, and the narrow set makes lines feel tight and efficient. Distinctive squared counters and simplified shapes give the design a slightly industrial, interface-oriented character.