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Wacky Hirur 3 is a very bold, narrow, high contrast, italic, short x-height font.

Keywords: posters, headlines, packaging, signage, logos, playful, retro, whimsical, campy, theatrical, display impact, vintage signage, playful branding, ornamental titling, dimensional effect, swashy, shaded, inline, bracketed, curvy.


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A heavy, right-leaning decorative serif with pronounced swashes, curled terminals, and a lively, calligraphic rhythm. Many glyphs feature a built-in inline highlight that reads like a cut-in or beveled channel, reinforcing a dimensional, display-first look. The letterforms sit on prominent slab-like base pads and occasional extended entry/exit strokes that act like underlines, creating a strong baseline presence and a slightly bouncy texture across words. Counters are compact, joins are rounded, and stroke endings flare into teardrop or hook shapes, producing a dense, ornamental silhouette.

Best used for short, prominent text such as posters, event titles, packaging callouts, storefront-style signage, and logo wordmarks where its shading and underline-like bases can read clearly. It works well when you want a bold, theatrical accent in branding or editorial display, especially when paired with a simple text face for body copy.

The overall tone is exuberant and attention-seeking, with a vintage showcard energy and a tongue-in-cheek sophistication. Its exaggerated underlines and swashy caps feel performative, giving text a playful, slightly mischievous character suited to headlines that want to charm rather than disappear.

The design appears intended as a one-off display face that blends swashy italic letterforms with built-in dimensional detailing and emphatic baseline elements, prioritizing personality and impact over neutrality. Its exaggerated terminals and underlines suggest a goal of creating instant visual flavor reminiscent of vintage signage and playful titling.

Capitals are especially ornate, with frequent looped or curled strokes and asymmetrical detailing that makes each letter feel bespoke. Numerals follow the same display logic, mixing strong base pads with curving, stylized strokes for a cohesive set. The inline/shaded detail increases visual sparkle at larger sizes but also adds texture that can crowd small settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸