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Sans Contrasted Kada 4 is a regular weight, normal width, very high contrast, upright, normal x-height font.

Keywords: headlines, editorial, magazines, branding, posters, fashion, dramatic, modernist, refined, editorial voice, brand impact, luxury tone, display clarity, modern elegance, high-contrast, geometric, crisp, sculptural, display-leaning.


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A high-contrast sans with sharp, geometric construction and pronounced thick–thin modulation. Bowls and rounds skew toward circular forms (notably in O/C/G) while verticals read as firm, dark pillars, producing a strong black-and-white rhythm. Terminals are clean and mostly flat, with occasional tapered joins and sheared diagonals in letters like A, K, V, W, and X. The lowercase maintains a straightforward, contemporary skeleton with compact, tidy shapes and a single-storey a and g, giving the face a streamlined, designed feel. Numerals follow the same contrast logic, mixing solid stems with airy counters for a crisp, poster-ready presence.

Best suited to headlines, magazine display typography, and brand marks where contrast and silhouette can be appreciated. It performs well in short blocks of text, pull quotes, and campaign or poster work that benefits from a refined, fashion-forward voice. For UI or small caption sizes, the delicate hairlines may require careful sizing and contrast management.

The overall tone is polished and image-conscious, balancing minimalist sans structure with couture-like contrast. It feels dramatic and curated rather than neutral, suggesting sophistication and a slightly theatrical edge. The alternating heavy and hairline strokes add a sense of elegance and tension that reads as contemporary editorial styling.

The design appears intended to merge a clean sans foundation with high-fashion contrast, creating a distinctive, contemporary display voice that still functions in short-form text. Its geometry and crisp terminals prioritize strong shapes and a striking typographic texture for editorial and branding contexts.

Wide-open counters and generous internal space help retain clarity at larger sizes, while the extreme modulation can cause finer strokes to recede in small settings. Several glyphs show deliberate asymmetries and weight distribution that create a distinctive texture in running text, making the typeface more expressive than utilitarian.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸