Script Itdaz 2 is a regular weight, narrow, high contrast, upright, very short x-height font.
Keywords: branding, packaging, headlines, invitations, greeting cards, playful, whimsical, friendly, vintage, crafty, hand-lettered feel, decorative caps, friendly branding, display emphasis, brushy, looped, bouncy, calligraphic, monoline accents.
A lively handwritten script with calligraphic contrast: swelling downstrokes paired with hairline entry/exit strokes and tapered terminals. Letterforms are upright with a narrow, vertical rhythm and a bouncy baseline that gives words a slightly dancing texture. Capitals are ornate yet compact, featuring prominent loops and occasional swash-like crossbars, while lowercase forms are more streamlined with frequent single-storey shapes and rounded bowls. The overall texture alternates between smooth brush curves and crisp, pointed joins, creating an expressive but controlled stroke flow.
Best suited to short, prominent settings such as logos, product labels, social graphics, invitations, and headline treatments where its expressive capitals and brush-like contrast can be appreciated. It also works well for quotes, menu titles, and craft or lifestyle packaging where a friendly, handmade impression is desired.
The font reads as cheerful and personable, with a lightly nostalgic, handcrafted feel. Its looping capitals and buoyant spacing lend an inviting tone suited to celebratory or boutique-style messaging rather than strict formality.
The design appears intended to emulate a neat, hand-lettered brush script that balances legibility with decorative flair. It prioritizes expressive entrances, looped capitals, and a buoyant rhythm to create a personable signature-like voice in display typography.
Numerals follow the same high-contrast, handwritten logic, with slender stems and curved terminals that harmonize with the letterforms. In text, the face maintains clear word shapes despite the decorative capitals, though the tight, narrow construction and lively stroke modulation make it better for display than for long passages at small sizes.