Sans Faceted Popo 2 is a light, narrow, monoline, upright, normal x-height font.
Keywords: fantasy titles, game ui, poster headlines, album art, logo marks, runic, mystical, geometric, angular, ritualistic, evoke runes, create mystique, emblematic display, geometric branding, chiseled, triangular, spiky, high-contrast shapes, pictographic.
A sharply angular display sans built from straight strokes and pointed joins, replacing curves with triangular facets and wedge-like terminals. Letterforms are narrow and vertically oriented, with frequent use of acute diagonals, chevrons, and diamond counters (notably in O/o and several uppercase forms). Strokes are consistently thin and even, while glyph widths vary noticeably, creating a jagged rhythm across words. Many characters incorporate split stems, notches, and asymmetrical internal cuts that emphasize a carved, emblematic construction over smooth text flow.
This font performs best as a display face for fantasy or myth-inspired titles, game branding and UI labels, posters, and packaging where a runic/geometric voice is desired. It also suits logo-type and wordmarks that benefit from distinctive, emblem-like letterforms, especially at medium to large sizes where the faceted details remain clear.
The overall tone feels arcane and symbolic, evoking inscriptions, sigils, and fantasy-world lettering. Its sharp geometry and rune-like simplification convey intensity and a slightly ominous, ritual atmosphere, while the consistent line weight keeps the texture crisp and controlled rather than distressed.
The design appears intended to translate rune- or inscription-inspired aesthetics into a modern, geometric Latin alphabet, using planar facets and diamond shapes to suggest carved marks while staying clean and consistent. The emphasis is on characterful silhouettes and thematic flavor rather than neutral readability.
The design prioritizes distinctive silhouettes: several capitals lean on triangular counters and open, angular bowls, and the numerals echo the same faceted logic. Spacing and rhythm read intentionally irregular due to mixed glyph widths and frequent diagonals, which heightens the graphic presence in short bursts but can reduce comfort in longer passages.