Sans Other Logil 2 is a very bold, very narrow, low contrast, italic, tall x-height font visually similar to 'Pila' by Alex Jacque, 'Procerus' by Artegra, 'Neue Kalimat' by Marvadesign, 'Base Neue' by Power Type, and 'Exorts Compressed' by Seventh Imperium (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, event promos, sporty, urgent, industrial, loud, retro, space saving, impact, speed, industrial styling, display focus, compressed, oblique, blocky, angular, high impact.
A heavily compressed oblique sans with monoline, low-contrast strokes and a strongly vertical, towering silhouette. Forms are built from broad, slab-like strokes with rounded corners and frequent ink-trap-like notches or interior cut-ins that create a segmented, mechanical feel. Counters are tight and apertures tend to be narrow, giving the face a dense texture and high black coverage. The rhythm is assertive and compact, with squared terminals and a consistent forward lean that keeps word shapes fast and condensed.
Best suited to short, high-impact settings such as headlines, posters, sports and fitness branding, product packaging, and promotional graphics where density and immediacy are assets. It performs particularly well in large sizes and in tightly set, single-line treatments where the compressed width helps fit long phrases without losing presence.
The overall tone is forceful and kinetic, reading like performance lettering meant to shout rather than whisper. Its engineered cut-ins and compressed stance evoke speed, toughness, and utilitarian signage, with a distinct retro-industrial edge.
The design appears intended to deliver maximum impact in minimal horizontal space while projecting motion and strength. The cut-in detailing suggests a deliberate move toward a machined, industrial voice that differentiates it from more neutral condensed sans styles.
The distinctive interior notches become a key identifying motif across both uppercase and lowercase, creating visual “breaks” that add texture at larger sizes but can reduce clarity at small sizes. The numerals follow the same condensed, oblique construction, maintaining a uniform, poster-like color across mixed text.