Print Utnar 2 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: children’s books, packaging, posters, branding, greeting cards, whimsical, storybook, friendly, quirky, playful, handmade feel, playful voice, storybook tone, casual display, friendly branding, rounded, brushy, calligraphic, soft terminals, lively rhythm.
A casual, hand-drawn print face with rounded forms and gently brush-like strokes. The letters show subtly uneven widths and spacing, with softly flared terminals and occasional teardrop-like ends that suggest a pen or brush lift. Curves are dominant, counters are open and generous, and many joins and diagonals have a slightly organic wobble that keeps the texture lively. Overall proportions feel moderate, with clear lettershapes and a consistent baseline rhythm despite the intentionally informal construction.
Well-suited to display and short-to-medium text where a friendly, hand-made voice is desirable—such as children’s titles, playful packaging, café or boutique branding, and editorial pull quotes. It can also work for invitations and greeting cards where warmth and charm matter more than strict typographic neutrality.
The font conveys a warm, whimsical tone with a storybook charm. Its soft curves and hand-made irregularities read as personable and lighthearted, leaning more playful than formal. The distinctive terminals add a touch of fantasy and craft without becoming overly ornate.
The design appears intended to mimic informal handwriting in a clean, unconnected print style, balancing readability with expressive, brush-like terminals. It aims to provide a distinctive, personable texture for headings and themed text while remaining coherent across a full alphanumeric set.
Uppercase characters feel decorative and characterful, while lowercase maintains readability through simple, open structures. Numerals follow the same hand-rendered logic, with rounded silhouettes and varied stroke endings that keep them visually cohesive with the alphabet. The texture becomes more pronounced in longer passages, where the variable letter widths and idiosyncratic terminals create an animated, crafted color on the page.