Solid Ogle 13 is a very bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'JM Malta Script' by Joelmaker (names referenced only for comparison).
Keywords: posters, headlines, logo, stickers, packaging, playful, cartoon, chunky, goofy, soft, attention grab, comic tone, graphic texture, logo display, blobby, rounded, bubbly, amorphous, irregular.
A heavy, blob-like display face with rounded silhouettes and highly irregular contours. Letterforms are compact and tightly spaced, with a squeezed overall footprint and frequent overlaps in words due to large, protruding terminals. Counters are largely collapsed into solid shapes, so recognition relies on outer contours, not interior detail. Strokes feel brushy and swelling, with uneven edges and lumpy joins that create a deliberately messy, organic rhythm across the alphabet.
Best suited to short, high-impact display settings such as posters, playful branding, title cards, stickers, and packaging where bold silhouettes carry the message. It works well when set large, with extra spacing, and paired with a more neutral text face for body copy.
The font reads as mischievous and comedic, with a gummy, ink-splatted energy. Its soft corners and inflated shapes suggest a toy-like, cartoon tone rather than anything formal or technical. The dense black massing gives it a punchy, attention-grabbing presence that feels loud and humorous.
This design appears intended to maximize personality through solid, swollen shapes and intentionally inconsistent edges, creating a novelty look that prioritizes visual impact over fine readability. The collapsed counters and chunky protrusions push it toward a graphic mark-making style that feels more like painted blobs than conventional typography.
In the text sample, the bulky forms and minimal internal separation make longer strings quickly become a continuous dark band, so it benefits from generous tracking and short line lengths. The strongest visual identity comes from the distinctive outer silhouettes, which vary notably from glyph to glyph, reinforcing an improvised, hand-shaped feel.