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Sans Other Ofba 1 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Jawbreak' and 'Outlast' by BoxTube Labs, 'Gainsborough' by Fenotype, 'Cintra' by Graviton, 'Mexiland' by Grezline Studio, 'School Activities JNL' by Jeff Levine, and 'NT Gagarin' by Novo Typo (names referenced only for comparison).

Keywords: headlines, posters, logotypes, packaging, signage, retro tech, arcade, industrial, utilitarian, assertive, impact, tech feel, retro display, signage strength, modular system, squared, angular, blocky, stencil-like, compact.


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A heavy, geometric sans with squared counters and strongly rectilinear construction. Strokes are uniform and end in flat, hard terminals, with frequent right-angle joins and occasional clipped corners that create a faceted, mechanical feel. The rhythm is compact and tightly fit, with small, boxy internal spaces and simplified shapes that prioritize solidity over openness; several characters use cut-ins and notches reminiscent of stencil breaks. Numerals and caps share the same rigid, modular logic, producing a consistent, tile-like texture in lines of text.

Best suited for bold headlines and short statements where its blocky geometry can be appreciated—posters, event titles, game-inspired visuals, packaging callouts, and high-impact signage. It can also work for logos and wordmarks that want an engineered, retro-tech character, but is less appropriate for extended reading at small sizes.

The overall tone reads as retro-digital and industrial, evoking arcade graphics, techno signage, and utilitarian labeling. Its blunt geometry and dense color give it a forceful, no-nonsense voice that feels engineered rather than handwritten or expressive.

The design appears intended to deliver maximum impact through rigid, modular geometry and compact, squared forms, referencing stencil and digital display aesthetics while remaining a cohesive sans for strong display typography.

At smaller sizes the squared counters and dense apertures can reduce legibility, while at display sizes the stepped edges and notched details become a defining stylistic feature. The design’s strong rectangular footprint creates a stable baseline and a distinctly pixel-adjacent presence without being strictly pixel-grid literal.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸