Slab Unbracketed Sunav 2 is a very light, normal width, low contrast, italic, normal x-height font.
Keywords: magazines, book jackets, pull quotes, brand voice, packaging, editorial, literary, refined, airy, contemporary, elegant emphasis, editorial tone, modern classic, headline character, slab serif, unbracketed, square serifs, calligraphic, crisp.
A very slender italic slab serif with square, unbracketed serifs and a clean, low-contrast stroke model. The forms lean with a steady, consistent angle and show gentle calligraphic modulation through tapered joins and subtly flared terminals rather than strong thick–thin contrast. Curves are narrow and controlled, with slightly pinched bowls in letters like B, R, and P, and a compact, open construction in C and S. The lowercase is delicate and somewhat wiry, with a single-storey g, a looped descender on q, and a narrow f that rises cleanly above the x-height; figures are similarly thin and upright-leaning, keeping an even rhythm across text.
Well-suited to editorial typography such as magazines, essays, and book-related materials where a distinctive italic voice is needed without heavy contrast. It also works for headlines, pull quotes, and short-to-medium setting in branding and packaging that benefits from a refined, slightly idiosyncratic slab-serif character.
The overall tone is poised and literary, combining the discipline of square slab serifs with an elegant italic cadence. It reads as modern-classical: refined and quiet rather than loud, with an airy sophistication suited to curated, text-forward design.
Likely designed to offer an italic slab serif that feels crisp and contemporary while retaining a literary sensibility. The combination of square serifs, light strokes, and controlled italic forms suggests an intent to deliver elegant emphasis and headline personality without sacrificing typographic restraint.
Spacing appears generous for such a light design, helping prevent clumping in the italic textures. The italic angle and narrow proportions create a lively forward motion, while the squared serifs keep the style grounded and structured.