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Free for Commercial Use

Sans Normal Onkih 16 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Aspira' by Durotype, 'FF Cst Berlin West' by FontFont, 'Muller Next' by Fontfabric, 'EquipCondensed' by Hoftype, 'Averta PE' and 'Averta Standard PE' by Intelligent Design, 'Fact' by ParaType, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, modern, approachable, clean, modern clarity, brand presence, display impact, friendly utility, geometric, rounded, large counters, high legibility, compact joins.


Free for commercial use
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A heavy, geometric sans with rounded bowls and smooth, circular construction throughout. Strokes remain even and solid, with broad, open counters and clear interior space in letters like O, Q, e, and a. Terminals are mostly straight and clean, while curves are generously rounded, producing a sturdy, contemporary rhythm. Uppercase forms feel stable and slightly wide, and lowercase shapes are simple and highly regular, with single-story a and g reinforcing the geometric character. Numerals follow the same robust, rounded logic and read clearly at display sizes.

This font is well suited for headlines, posters, and branding systems that need a strong, contemporary sans with friendly geometry. It also works well for packaging and signage where sturdy letterforms and clear counters help maintain legibility at varying viewing distances.

The overall tone is modern and friendly, with a confident, straightforward presence that feels welcoming rather than strict. Its smooth curves and ample counters give it an approachable, everyday voice suited to contemporary branding and interface-forward design.

The letterforms appear intended to deliver a modern geometric sans voice with strong presence and high clarity, prioritizing simple shapes, consistent curves, and easily readable counters for impactful display typography.

The design emphasizes clarity through broad apertures and simplified joins, keeping silhouettes recognizable even at a glance. The bold massing and rounded geometry make it especially effective where strong typographic color and quick scanning are important.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸