Sans Other Orly 2 is a very bold, wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, gaming ui, packaging, techno, industrial, retro, arcade, futuristic, impact, sci-fi feel, display voice, systematic, angular, blocky, stencil-like, modular, geometric.
A heavy, geometric sans built from chunky, rectilinear strokes with sharply chamfered corners and a modular, grid-like construction. Counters are predominantly squared and often reduced to small cut-ins or slot-like apertures, creating a slightly stencil-like feel across many letters. The overall rhythm is compact and mechanical, with flat terminals, minimal curvature, and distinctive notches that carve out internal space (notably in forms like E, S, and several lowercase characters). Figures follow the same squared logic, with bold, boxy silhouettes and simplified internal openings.
Best suited for short, high-impact setting such as headlines, posters, logos, and brand marks where the geometric cut-outs can read clearly. It also fits interface titling for games or tech products, album/track artwork, and packaging that benefits from a bold, engineered texture. For long passages of small text, the tight apertures and reduced counters may require generous sizing and spacing to maintain clarity.
The font projects a strong techno-industrial attitude with a retro arcade/sci‑fi flavor. Its rigid geometry and cut-out detailing feel engineered and assertive, leaning toward a digital, game UI, or hardware branding sensibility rather than a neutral text voice.
The design appears intended to deliver maximum visual impact through a modular, angular construction that references digital display logic and industrial signage. The consistent chamfering and internal cut-outs suggest an aim for a distinctive, system-like identity that remains cohesive across uppercase, lowercase, and numerals.
At smaller sizes the narrow internal slots and tiny counters can visually fill in, while at display sizes the chamfers and cut-outs become a defining texture. The lowercase is intentionally stylized to match the modular construction, with simplified bowls and angular joins that keep the set cohesive.