Script Dibab 12 is a regular weight, very narrow, high contrast, italic, very short x-height font.
Keywords: wedding stationery, branding, packaging, headlines, quotes, elegant, playful, romantic, handcrafted, vintage, expressive script, formal charm, signature look, decorative capitals, calligraphic feel, monoline accents, looping ascenders, tall capitals, bouncy baseline, open counters.
A flowing script with tall, slender proportions and pronounced stroke-contrast that reads like a pointed-pen influenced hand. Stems are long and smooth, with thin hairline entry/exit strokes and heavier downstrokes that create a lively vertical rhythm. Capitals are decorative and looped, often built from broad oval forms with extended terminals, while lowercase letters keep a compact body with notably short x-height and frequent ascending flourishes. Spacing is airy and irregular in a natural way, and the overall texture alternates between delicate connecting strokes and bold verticals.
Best suited for short-to-medium display copy where its contrast, loops, and tall proportions can be appreciated—such as wedding invitations, greeting cards, boutique branding, beauty and lifestyle packaging, social graphics, and pull quotes. It can also work for logo wordmarks and product names where a graceful, handcrafted tone is desired.
The font conveys a romantic, handwritten charm—polished enough to feel formal, but with a buoyant, friendly energy from its looping shapes and animated rhythm. Its dramatic contrast and tall silhouettes give it a slightly vintage, boutique feel that suits expressive, personality-forward typography.
The design appears intended to emulate an elegant, pen-written script with expressive capitals and a refined contrast pattern, balancing formality with approachable warmth. Its narrow, vertical stance and short lowercase body suggest an emphasis on stylish silhouettes and decorative rhythm over dense text settings.
Connections appear mostly continuous in running text, but the letterforms still maintain distinct shapes rather than a fully uniform join, helping legibility at display sizes. Numerals follow the same calligraphic logic, with curving forms and varied stroke weight that match the script’s movement.