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Free for Commercial Use

Outline Lyga 5 is a regular weight, wide, low contrast, italic, normal x-height font.

Keywords: headlines, posters, sports branding, gaming ui, event graphics, futuristic, sporty, techy, retro, energetic, speed emphasis, tech styling, display impact, lightweight color, angular, oblique, outlined, geometric, monoline.


Free for commercial use
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A slanted, angular outline design built from straight segments and chamfered corners, with a consistent monoline contour that creates a hollow interior throughout. The forms lean forward with a wide stance and open counters, giving letters a fast, extended silhouette. Stroke endings are crisp and squared-off, and many curves are interpreted as faceted arcs, producing a distinctly geometric rhythm. Numerals and lowercase follow the same schematic construction, with a clean, uniform outline thickness that keeps the texture even across lines of text.

This font is well suited to short, bold display settings such as headlines, posters, esports or sports branding, and high-energy event graphics. It also fits UI accents for games or tech-themed interfaces where a lightweight, outlined look can sit over imagery without becoming too heavy. For longer passages, it works best as a secondary voice—used for emphasis, labels, or pull quotes at larger sizes.

The overall tone feels high-speed and technical, with a clear association to motorsport graphics and sci‑fi interface lettering. Its forward slant and sharp cornering add urgency and momentum, while the hollow construction brings a lightweight, display-first character. The style also carries a subtle retro arcade/1980s flavor thanks to its faceted geometry and outlined presence.

The design appears intended to deliver speed and impact through oblique, extended proportions and faceted geometry, while keeping the color light via a hollow outline construction. It prioritizes a clean, engineered aesthetic that remains consistent across uppercase, lowercase, and numerals for cohesive branding applications.

Because the design relies on open outlines, it reads best when given enough size and contrast against the background; tighter settings can visually fill in where outlines converge at corners. The wide, oblique shapes create strong horizontal motion, making the line texture feel dynamic rather than neutral.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸