Outline Ursi 1 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, logotypes, posters, signage, packaging, art deco, neon, retro, elegant, airy, retro display, signage feel, decorative elegance, neon effect, branding impact, monoline, geometric, inline, open counters, high-waisted.
A delicate inline outline design with a consistent monoline contour and a second interior line that echoes the outer shape, creating a hollow, double-stroked look. The construction is largely geometric with softened curves, clean terminals, and generous internal space; bowls and rounds stay smooth while verticals remain straight and evenly weighted. Uppercase forms feel tall and tidy, while the lowercase mixes rounded, single-storey shapes (a, g) with narrow stems and open apertures, keeping the overall rhythm light and spacious. Numerals follow the same double-line logic, with clear, open forms and a streamlined, display-oriented presence.
Best suited to display settings where the outline-and-inline effect can breathe: headlines, brand marks, posters, storefront or wayfinding signage, and premium packaging. It also works well for short editorial callouts or event graphics where a refined retro tone is desired and the lettering can be set at generous sizes.
The double-outline treatment reads like neon tubing or engraved signage, giving the font a refined retro character with strong Art Deco undertones. Its airy structure feels stylish and optimistic, leaning more toward showpiece elegance than utilitarian neutrality.
The design appears intended to deliver a polished outline aesthetic with an added inline accent, evoking classic marquee and Art Deco signage while maintaining a clean geometric skeleton. Its emphasis on open space and consistent linework suggests it was drawn for expressive titles and branding rather than dense text typography.
The interior echo line is carefully aligned and generally parallel to the outer contour, emphasizing precision and symmetry. Some junctions and tight curves (notably in letters like S, g, and e) create distinctive inline overlaps that add sparkle at larger sizes but can visually soften fine details at small sizes.