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Free for Commercial Use

Sans Superellipse Otdul 6 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Florest Display' and 'Florest Textured' by Kaligra.co, 'Brainy Variable Sans' by Maculinc, 'Forgotten Futurist' by Typodermic, and 'Manifest' by Yasin Yalcin (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, wayfinding, industrial, signage, sporty, modern, sturdy, impact, clarity, durability, modernization, squared-round, compact, high-contrast counters, blunt terminals, geometric.


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A heavy, compact sans with squared-round construction and consistent stroke weight. Curves resolve into superellipse-like bowls and rounded-rectangle counters, while terminals are blunt and mostly vertical/horizontal, giving a tightly engineered feel. The lowercase is straightforward and utilitarian with a single-storey a and g, short extenders, and closed, robust apertures; the uppercase is broad-shouldered and blocky with smooth corner radii. Numerals follow the same rounded-rect geometry, with a clearly slashed zero for disambiguation.

Best suited to short, high-impact text such as headlines, branding, sports identities, packaging callouts, and wayfinding or labeling where a sturdy, easily recognized silhouette is helpful. It also works well for large-format numeric emphasis (scores, prices, UI tiles) thanks to its consistent figure style and distinctive zero.

The overall tone is tough and functional—more equipment label than editorial. Its rounded corners soften the impact just enough to feel contemporary and friendly, but the dense shapes still read as assertive and built-for-purpose.

The design appears intended to deliver a contemporary, industrial sans built from softened geometric forms—maximizing solidity and quick recognition while avoiding sharp corners. The slashed zero and compact, uniform rhythm suggest an emphasis on clarity in practical display settings.

Spacing appears relatively tight and the interior counters are modest, which helps maintain a solid texture in large sizes but can make smaller settings feel dark. The design’s repeated rounded-rectangle motif creates strong visual consistency across letters and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸