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Free for Commercial Use

Wacky Idjo 5 is a light, normal width, very high contrast, italic, normal x-height font.

Keywords: headlines, branding, posters, packaging, titles, whimsical, theatrical, eccentric, elegant, playful, expressive display, quirky elegance, attention grabbing, decorative voice, calligraphic, stylized, flared, swashy, curvilinear.


Free for commercial use
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This typeface features sculpted, calligraphic letterforms built from sweeping curves and sharp, tapered terminals. Strokes show dramatic thick–thin modulation with pointed wedges and flared ends, creating a lively, cut-paper silhouette rather than a conventional serif structure. Many characters lean and swell asymmetrically, with occasional cut-in counters and teardrop-like joins that make the rhythm feel intentionally irregular and animated. Numerals and capitals follow the same decorative logic, with distinctive swashes and angular nib-like accents that vary width from glyph to glyph.

Best suited for display applications where personality is the goal: editorial headlines, posters, event titles, boutique branding, and expressive packaging. It can work for short phrases or pull quotes where the animated forms add flair, but it is less appropriate for long-form reading where the irregular rhythm may fatigue the eye.

The overall tone is whimsical and theatrical, mixing refined calligraphic contrast with quirky, unexpected shapes. It reads as playful and slightly surreal—more like a typographic character voice than a neutral text tool—yet still carries a sense of elegance from its flowing forms and sharp finishing points.

The design appears intended to reinterpret italic, high-contrast calligraphy in an experimental, decorative way—prioritizing distinctive silhouettes, swash-like terminals, and playful distortion over conventional typographic restraint. It aims to create immediate visual intrigue and a memorable brand voice in display contexts.

In text settings, the strong internal motion and distinctive silhouettes help headlines stand out, but the uneven widths and pronounced shaping can create a busy texture at smaller sizes. Rounded letters (like o/c/e) are especially stylized, and several capitals emphasize dramatic entry/exit strokes, reinforcing a display-oriented personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸