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Free for Commercial Use

Pixel Syro 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Hanley Pro' by District 62 Studio, 'Ft Thyson' by Fateh.Lab, 'Glimp' by OneSevenPointFive, 'Manual' by TypeUnion, and 'Octin College' by Typodermic (names referenced only for comparison).

Keywords: game ui, posters, headlines, logos, merchandise, arcade, retro, industrial, rugged, utilitarian, retro emulation, screen legibility, high impact, bold branding, chunky, blocky, stencil-like, jagged, distressed.


Free for commercial use
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A chunky, block-built pixel face with heavy, squared-off strokes and quantized curves that step sharply at corners. The forms read as compact and sturdy, with mostly straight terminals, occasional notch-like cuts, and simplified bowls and counters that keep interior space open despite the weight. Curves in letters like C, G, O, and S are rendered with stepped pixel geometry, while diagonals (V, W, X, Y) show deliberate stair-stepping that adds texture and a slightly rough edge. Overall spacing feels practical and even, with a consistent bitmap rhythm that stays legible at display sizes.

Best suited to display settings where pixel character is a feature rather than a limitation: game UI, retro-themed posters, titles, and punchy branding moments. It also works well for short, high-contrast labels, scoreboard-style numerals, and merch graphics that benefit from a bold bitmap silhouette.

The font projects a retro screen-and-arcade attitude with a tough, workmanlike tone. Its jagged pixel contouring and occasional chipped details introduce a gritty, game-era realism rather than a polished sci‑fi sheen. The result feels bold, energetic, and purpose-built for high-impact messaging.

The design appears intended to emulate classic bitmap lettering while keeping counters clear and shapes recognizable under heavy weight. Its stepped curves and rugged edges suggest it was drawn to evoke low-resolution display history and deliver immediate impact in bold, compact headlines.

Uppercase characters are especially architectural and sign-like, while the lowercase maintains the same blocky construction for a cohesive voice. Numerals are wide and emphatic, matching the letterforms’ heavy presence and making the set suitable for score-like or HUD-style readouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸