Sans Superellipse Waby 3 is a bold, very wide, monoline, upright, normal x-height font visually similar to 'Clonoid' by Dharma Type, 'Organetto' by Latinotype, and 'Oracle' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, branding, logotypes, ui titles, futuristic, tech, industrial, sporty, sci-fi, modernize, signal tech, max impact, geometric clarity, streamline forms, rounded corners, squared bowls, soft terminals, geometric, extended.
This typeface is built from squared, superellipse-like shapes with generously rounded corners and a steady, even stroke. Curves resolve into rounded-rectangle bowls (notably in O/C/G and the counters of B/P/R), while straight segments stay flat and clean, producing a crisp, engineered silhouette. Apertures are moderately open and counters are compact, with a broadly horizontal emphasis and wide letterforms. Diagonals in A/K/V/W/X/Y are clean and sharp, and the numerals follow the same rounded-rect geometry, with the 2/3/5/8 showing strong horizontal bands and smooth cornering.
Best suited for short, high-impact settings such as headlines, posters, packaging, and branding systems that want a tech or industrial edge. It also works well for interface titles, dashboards, and product naming where wide, geometric letterforms help create a bold, contemporary identity.
The overall tone is contemporary and technical, with a streamlined, machine-made feel. Its wide stance and softened corners create a confident, modern voice that reads as sporty and sci‑fi adjacent rather than friendly or handwritten. The uniform stroke and geometric construction give it a controlled, display-forward energy.
The design appears intended to fuse geometric sans construction with rounded-rectangle curves, creating a futuristic display voice that remains clean and highly consistent. By keeping strokes even and corners softened, it aims for a modern, engineered look that feels both assertive and sleek.
Spacing and shapes are optimized for impact at larger sizes, where the squared curves and rounded terminals are most legible and distinctive. In dense text, the compact counters and wide set can feel heavy, reinforcing its headline-first character.