Print Sidos 3 is a bold, normal width, low contrast, upright, short x-height font.
Keywords: kids, packaging, posters, headlines, stickers, playful, friendly, casual, quirky, youthful, handmade feel, approachability, informality, playful display, craft aesthetic, rounded, bubbly, chunky, soft, hand-drawn.
A chunky, hand-drawn print with rounded, swollen strokes and noticeably uneven outlines, as if made with a soft marker. Letterforms lean on simple geometry—open bowls, broad curves, and blunt terminals—while keeping a lively, slightly wobbly rhythm. Counters tend to be small and irregular, and stroke joins often look pinched or pooled, reinforcing the drawn-by-hand texture. Spacing feels loose and organic, with per-glyph width and sidebearings varying to keep the line color animated rather than rigid.
Works best for short-to-medium text where personality is the priority: children’s materials, playful branding, packaging, social graphics, posters, and craft-oriented labels. It also suits informal headlines and callouts where high visual presence is needed without a formal tone. For dense body copy, the irregular texture and heavy strokes may feel busy, so it’s most effective in display sizes or brief passages.
The overall tone is cheerful and approachable, with a doodled spontaneity that reads as informal and human. Its bouncy shapes and soft corners give it a light, kid-friendly personality, while the heavy ink presence adds confidence and visibility. The unevenness feels intentional and expressive, suggesting humor and warmth over precision.
The design appears intended to mimic a casual, hand-lettered marker style with strong fill and soft, rounded edges. Its goal is to deliver an approachable, imperfectly human texture while maintaining clear, unconnected print letterforms suitable for everyday playful messaging.
Capitals are simple and bold with minimal internal detail, while lowercase forms stay open and uncomplicated, aiding quick recognition. The numerals share the same rounded, hand-rendered feel, with friendly proportions and soft corners that match the alphabet. In longer text, the texture becomes visibly lively due to outline wobble and varying widths, which is best treated as a stylistic feature rather than a neutrality goal.