Sans Faceted Hery 1 is a light, narrow, low contrast, upright, short x-height font.
Keywords: display, posters, headlines, logos, album art, geometric, angular, technical, retro, quirky, stylization, tech tone, retro futurism, geometric system, display impact, faceted, monoline, chamfered, polygonal, hand-drawn.
This typeface is built from straight strokes and crisp, planar facets that replace curves with angled joins and chamfered corners. Strokes stay consistently thin and monoline, creating an even texture with minimal modulation. Letterforms lean on geometric construction—octagonal rounds, pointed terminals, and segmented bowls—while spacing and widths vary enough to keep the rhythm lively rather than strictly mechanical. In text, the sharp corners and frequent diagonals create a distinctive, slightly jittery cadence, with simplified counters and compact interior space in several glyphs.
Best suited for display settings where its faceted geometry can be appreciated—headlines, posters, packaging accents, and logo wordmarks. It also works well for sci‑fi, gaming, tech event branding, or any project seeking a sharp, polygonal voice. For longer passages, it performs more as a stylistic texture than as a quiet reading face.
The overall tone feels geometric and tech-adjacent, with a retro-futurist edge. Its faceted construction reads like cut metal, vector outlines, or low‑poly signage, giving it a deliberately synthetic character. At the same time, small irregularities in alignment and stroke meeting points add a quirky, hand-made energy that keeps it from feeling overly sterile.
The design appears intended to translate sans-serif skeletons into a sharply faceted, polygon-based system that stays readable while foregrounding a distinctive angular signature. It prioritizes a cohesive low‑poly/engraved look across letters and numerals, aiming for strong personality in titles and branding rather than neutrality.
Diagonal-heavy capitals (like A, K, V, W, X, Y) emphasize the font’s crystalline motif, while the rounded letters are rendered as multi-sided polygons for strong stylistic cohesion. Numerals follow the same angular logic, balancing legibility with the faceted aesthetic. The dotted i/j and the angular, segmented forms help maintain clarity, though the sharp joins make the design visually active at smaller sizes.