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Serif Normal Pymop 6 is a very bold, wide, very high contrast, upright, normal x-height font visually similar to 'Albra' by BumbumType, 'Amarga' by Latinotype, and 'Blacker Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, magazines, posters, branding, packaging, dramatic, editorial, classic, stately, assertive, impact, authority, luxury, editorial character, classic reinterpretation, bracketed, wedge serifs, ball terminals, ink traps, sculptural.


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This serif presents a sculpted, display-forward construction with sharply tapered serifs and pronounced thick–thin modulation. Stems and bowls are weighty and rounded, while joins and terminals often snap into crisp points or wedge-like cuts, creating a faceted, chiseled feel. Counters are compact and the overall color is dark, with strong internal rhythm driven by high contrast and decisive vertical stress. Several forms show small notches and cut-ins at joins and corners, giving the letterforms a slightly engineered, carved quality rather than a purely calligraphic one.

This font is best suited to headlines, magazine typography, posters, and brand marks where strong contrast and sharp serif detailing can be appreciated at larger sizes. It can also work for short, high-impact editorial subheads or pull quotes, and for premium-feeling packaging and identity applications that benefit from a dark, authoritative typographic voice.

The tone is bold and theatrical with a distinctly editorial, old-world confidence. Its dramatic contrast and sharp, angular detailing suggest luxury and authority, while the rounded masses keep it from feeling brittle or overly formal. Overall it reads as classic but energized—designed to command attention.

The design appears intended to reinterpret a traditional serif model with heightened contrast and sharply cut terminals to create a more contemporary, attention-grabbing display texture. The combination of heavy, rounded main strokes and angular carved details suggests a focus on dramatic presence and distinctive editorial character.

Capitals are monumental and tightly controlled, while the lowercase introduces more idiosyncratic, angular terminals that add character in text lines. Numerals follow the same sculptural logic, with strong contrast and crisp cuts that keep them visually aligned with the letterforms. Spacing appears built for headline settings, where the dense, high-contrast silhouettes can read as a cohesive, impactful block.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸