Sans Faceted Buvy 3 is a very bold, wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, logotypes, packaging, techno, industrial, arcade, futuristic, assertive, impact, machined geometry, sci-fi tone, octagonal, blocky, angular, modular, stencil-like.
A heavy, geometric sans built from faceted, mostly straight strokes where curves are replaced by clipped corners and planar cuts. Counters and apertures tend toward octagonal or diamond-like shapes, giving letters like O, Q, and G a distinctive machined look. Stroke terminals are abrupt and squared, with frequent chamfers that create a rhythmic, segmented edge around bowls and diagonals. Spacing reads compact in the sample text, and the overall texture is dense and uniform, with simplified interiors and sturdy letterforms that hold together well at display sizes.
Best suited to display applications where impact and character are priorities: headlines, posters, cover art, brand marks, and packaging that benefits from a hard-edged, engineered tone. It also works well for short UI-style labels or sports/tech themed graphics when used at larger sizes to preserve the faceted counters and internal shapes.
The face projects a mechanical, game-like energy—confident, tough, and slightly retro-futurist. Its faceting and hard angles suggest engineered surfaces, evoking sci‑fi interfaces, industrial labeling, and arcade-era title graphics rather than traditional editorial typography.
The font appears designed to deliver maximum visual punch through bold massing and a consistent faceted geometry, replacing curves with chamfers to create a distinctive, industrial-tech voice. Its construction prioritizes strong silhouettes and a cohesive angular system across letters and figures for standout titling and identity work.
The design leans on consistent chamfer logic across the set, producing recognizable silhouettes and strong word-shape blocks. Round dots on i/j add a small geometric contrast to the otherwise faceted construction, and numerals echo the same cut-corner language for visual cohesion.