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Free for Commercial Use

Sans Other Abgam 6 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Aspira' by Durotype, 'Fox Miguel' by Fox7, 'Kurri Island' by Mans Greback, 'Marquee' by Pelavin Fonts, and 'Artico' by cretype (names referenced only for comparison).

Keywords: headlines, posters, packaging, children’s, stickers, playful, chunky, friendly, quirky, cartoonish, impact, approachability, whimsy, informality, rounded, bouncy, irregular, soft corners, hand-drawn.


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A heavy, compact sans with rounded contours and subtly uneven geometry that gives the alphabet a lively, hand-shaped feel. Strokes are consistently thick, with soft terminals and occasional wedge-like joins that create a chiseled-but-friendly silhouette rather than strict geometric precision. Counters are generally small and rounded, and letterforms lean on simplified, chunky structures; curves and shoulders vary slightly from glyph to glyph, producing a bouncy rhythm. Numerals match the bold massing, with simple forms and softened corners that keep the set cohesive at display sizes.

Best suited for short, bold statements such as headlines, posters, product packaging, labels, and playful branding. It also works well for children’s materials, party invitations, and display text where a friendly, cartoon-like voice is desired. For long-form reading or small UI text, the dense weight and lively irregularities are likely to feel heavy.

The overall tone is upbeat and informal, reading as approachable and slightly mischievous. Its deliberately imperfect, blobby shapes feel craft-like and kid-friendly, with a comic sensibility that favors personality over neutrality.

Likely designed to deliver maximum visual impact with a warm, humorous personality—combining a strong, solid silhouette with intentionally quirky construction to feel hand-crafted and fun in display settings.

The texture in words is high-impact and dark, with noticeable letter-to-letter character that can feel energetic but busy in longer passages. Round letters (like O/C) and diagonals (like K/X/V/W) emphasize the font’s playful irregularity, while the lowercase maintains a sturdy, chunky presence with distinctive dots and simplified bowls.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸