Pixel Other Orba 9 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Sicret' by Mans Greback, 'Molitor' by S&C Type, and 'Heavy Boxing' by Vozzy (names referenced only for comparison).
Keywords: headlines, logotypes, posters, game ui, sports branding, industrial, retro-tech, arcade, mechanical, tactical, tech aesthetic, retro display, impactful branding, mechanical tone, interface styling, beveled, octagonal, stencil-like, modular, angular.
A heavy, modular display face built from straight segments and clipped, beveled corners that create an octagonal silhouette throughout. Strokes are rigid and mostly monolinear in feel, with small internal breaks and stepped joins that give letters a constructed, segmented look. Counters are tight and geometric, terminals are blunt, and diagonals are simplified into angled cuts rather than smooth curves. Proportions are generally compact with a sturdy cap height, and the overall rhythm is blocky and grid-conscious while still allowing some character-to-character width variation.
Best suited to headlines, branding marks, and poster titles where its angular, segmented structure can read clearly at medium to large sizes. It also fits interface graphics for games and retro-tech themes, as well as numbers-forward applications like scoreboards, labels, and equipment-inspired packaging.
The font reads as engineered and utilitarian, mixing retro digital signage with a bold, game-like punch. Its segmented construction suggests machinery, sci‑fi interfaces, and arcade-era graphics, while the beveled corners add a rugged, tactical edge. Overall it feels assertive, technical, and intentionally artificial rather than humanist or calligraphic.
The design appears intended to evoke a constructed, display-sign aesthetic—combining pixel-conscious modularity with beveled, industrial letterforms for maximum impact. It prioritizes bold presence and a distinctive mechanical texture over smooth curves or traditional text readability.
Distinctive notch-like interruptions appear within many strokes, producing a subtle stencil/scanline effect at text sizes. The design’s sharp geometry and tight apertures favor short bursts of text over extended reading, and it holds a strong silhouette even when set large.