Sans Superellipse Byris 1 is a light, very narrow, low contrast, upright, tall x-height font visually similar to 'Dharma Gothic' and 'Dharma Gothic Rounded' by Dharma Type (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, condensed, minimal, modern, architectural, precise, space saving, modern display, geometric clarity, systematic design, monoline, rounded-rect, linear, clean, geometric.
A monoline condensed sans with rounded-rectangle (superellipse) counters and softly squared terminals. Strokes maintain an even thickness with minimal modulation, while verticals dominate and curves are drawn as smooth, elongated arcs. The proportions are tall and compressed, producing a tight rhythm with generous interior openings for such a narrow build. Details like the compact shoulders, narrow bowls, and tidy joins keep the texture consistent across caps, lowercase, and numerals.
Best suited to display settings where condensed typography is an advantage, such as headlines, posters, labels, and space-conscious branding. It can also work for signage or interface headings where a clean, narrow voice is needed, especially at sizes large enough to preserve its fine stroke presence.
The overall tone is sleek and restrained, with a streamlined, technical feel. Its tall, compressed stance reads contemporary and space-efficient, suggesting clarity and control rather than warmth or ornament. The rounded-rect geometry adds a subtle softness that keeps it from feeling harshly industrial.
The design appears intended to deliver a compact, contemporary sans voice built around rounded-rectangle geometry, emphasizing efficiency, consistency, and a distinctive condensed silhouette. It prioritizes a crisp vertical rhythm and clean construction for modern display typography.
The numerals follow the same elongated, rounded-rect logic as the letters, creating a unified set suited to stacked or aligned data. In running text, the narrow width creates a distinctive vertical cadence, and the closed shapes (like O/0 and related forms) appear intentionally streamlined rather than calligraphic.