Slab Square Pene 4 is a regular weight, wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, signage, logos, packaging, techno, retro, industrial, utilitarian, futuristic, futuristic feel, industrial flavor, systematic texture, display clarity, squared, rounded corners, stencil-like, modular, high contrast (shape).
A squared, monoline display face with slab-like terminals and flat ends, softened by rounded outer corners. Strokes keep a consistent thickness and rely on geometric construction: rectangular bowls, squared counters, and short horizontal slabs that read like clipped serifs or brackets. Many joins and apertures are sharply notched, giving letters a semi-stencil feel, while curves (in forms like C, O, S) are rendered as rounded-rectangle arcs rather than true circles. Proportions are relatively wide, with open spacing and a steady, engineered rhythm across capitals, lowercase, and figures.
Best suited to short-form settings where its geometric construction can be appreciated: headlines, posters, branding marks, product labels, and directional or environmental signage. It can also work for UI titles or game/tech themed graphics where a squared, engineered voice is desired.
The overall tone feels technical and retro-futuristic—like labeling on equipment, arcade-era interfaces, or sci-fi signage. The squared geometry and cut-in details add a rugged, industrial attitude, while the rounded corners keep it approachable rather than harsh.
The design appears intended to deliver a modular, machine-made aesthetic by combining monoline strokes with slab-like terminals and squared curves. The consistent construction and recurring notches suggest a focus on creating a distinctive, system-like texture that reads clearly at display sizes.
In text, the repeated notch-and-slab motif becomes a defining texture, especially on letters with shoulders and terminals. The numerals and uppercase forms appear particularly strong for display use, while the distinctive construction details can become visually busy at smaller sizes.