Sans Superellipse Tyke 12 is a bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Rama Gothic' and 'Rama Gothic Rounded' by Dharma Type, 'Gollder Vintage' by Jinan Studio, 'Milky Bar' by Malgorzata Bartosik, 'PG Gothique' and 'PG Grotesque' by Paulo Goode, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logotypes, industrial, condensed, vintage, poster-like, utilitarian, space-saving, high impact, retro print, industrial tone, tactile texture, monolinear, rounded corners, rectilinear, compact, sturdy.
A condensed, heavy sans with monolinear strokes and softened corners that read like rounded rectangles. The design is strongly vertical, with tall proportions, compact counters, and a slightly irregular, pressed-ink edge that adds texture without breaking overall consistency. Curves are squarish and superelliptical rather than fully circular, giving bowls and terminals a taut, engineered feel. Spacing is tight and the rhythm is dense, keeping word shapes tall and compact.
Best suited to headlines, posters, and branding where condensed width and strong vertical emphasis help maximize impact. It also fits packaging and signage that benefit from an industrial or retro-print flavor, especially at medium-to-large sizes where the textured edge reads clearly.
The font conveys a punchy, no-nonsense tone with a hint of retro signage. Its narrow, sturdy forms feel industrial and workmanlike, while the subtly distressed edges introduce a human, printed character that reads as vintage and tactile rather than polished.
The design appears aimed at delivering maximum presence in a compact width, pairing sturdy, condensed geometry with rounded-rectangle construction for clarity and consistency. The lightly roughened contour suggests an intention to evoke printed material and add character while retaining straightforward, sans readability.
Digits and capitals maintain the same compressed footprint, supporting headline settings where horizontal space is limited. The slightly uneven outline texture is most noticeable at larger sizes, where it becomes part of the personality and can suggest letterpress or worn display type.