Sans Faceted Umva 11 is a very bold, wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, sportswear, packaging, industrial, techno, athletic, futuristic, aggressive, impact, machined look, display branding, tech styling, octagonal, angular, geometric, blocky, compact.
This typeface is built from hard, planar facets that turn curves into clipped corners and beveled edges. Strokes are consistently heavy with mostly uniform thickness, producing a dense, high-contrast silhouette against the page. Counters tend toward squarish or octagonal forms (notably in O, Q, 0, 8, 9), and joins and terminals frequently end in chamfered cuts rather than rounds. Proportions feel broad and stable, with compact apertures and short internal openings that emphasize solidity over delicacy. The numerals follow the same faceted logic, with strong, angular geometry and restrained interior space.
Best suited to short, high-impact settings such as headlines, posters, branding marks, product packaging, and sports or event graphics. It also works well for UI/game titling and signage where an angular, engineered look is desired, while extended reading is better reserved for larger sizes and generous spacing.
The overall tone is tough and mechanical, evoking stenciled hardware, sports titling, and sci‑fi interface lettering. Its sharp corners and heavy presence read as assertive and energetic, with a slightly retro arcade/industrial flavor rather than a friendly or conversational voice.
The design appears intended to translate geometric, industrial lettering into a clean digital font system, replacing round strokes with consistent chamfers for a cohesive “machined” aesthetic. It prioritizes bold legibility and a distinctive silhouette for display use, especially where a technical or competitive tone is appropriate.
The face keeps a consistent faceting scheme across caps, lowercase, and figures, creating a unified rhythm in text. Because counters and apertures are relatively tight, the design visually darkens quickly in longer lines, especially at smaller sizes or in cramped settings.